Friday, July 21, 2006
The Parasite
There is a good write up about breakcore in XLR8R magazine;
It’s there [at crazzy parties] that [breakcore] artists, the majority of whom perform live, unleash their sonic assault and some serious antics: singing, screaming, moshing, telling jokes, tearing their clothes off, bashing their heads on tables and then bleeding on the audience, making the most of thrift store bins for crazy costumes, and, bizarrely, almost always wearing funny hats. Breakcore artists are some of the most thoughtful, inventive, and politically progressive people making music today, but on stage they are a bunch of fucking loons.
Oh yes. It also gives a good profile of my mate and co-labo8tor Parasite;
Parasite
It’s hard to believe that the royal ruckus known as Parasite is actually breakcore's hardest-working bloke. The affable bloodsucker (Armin Elsaesser to his mom) is best known for helming the consistently great Death$ucker label, which boases the scene’s best and most eclectic roster (with releases from Bong-Ra, knifehandchop, Monkey Steak, d’kat, and DJ Ripley). He’s also the head honcho of DSWAT distro, one of the most active online mailorder stores, and a driving force behind the Toxic Dancehall parties in his hometown of Bristol, England. A testament to breakcore’s increasing popularity, these raucous affairs grew from 30 people in the basement of an Indian restaurant to crowds over a thousand strong at the Black Swan in just three years.
Toxic Dancehall is now defunct, but Parasite and his partner Anakissed are starting a new party called The Goat Lab. "The name was directly inspired by the U.S. military’s research into psychological warfare using de-bleated goats as a test bed," says Elsaesser, who, like many in the scene, has a strong political streak. "Breakcore, by its very nature, is political!" he says. "The very fact that the majority of breakcore tunes are a copyright infringement [case] waiting to happen is proof of this. Also, political opinions can be heard in a wealth of breakcore tunes today. Look at artists like Aaron Spectre, Noize Punishment, and The Bug, to name a few–all have a political message to convey. Certainly in Bristol whenever an anti-Blair/Bush sample gets dropped, the reaction from the audience is generally positive, with shouts of acknowledgment. Personally, I try to remain active in a political sense in that I regularly play benefit gigs, support political causes, and attend political rallies, [and] I also sell political material [through DSWAT]."
On the subject, I have heard an early version of Parasite's Big Joan remix - owch! its good. Very good and its going to rock the clock...
There is a good write up about breakcore in XLR8R magazine;
It’s there [at crazzy parties] that [breakcore] artists, the majority of whom perform live, unleash their sonic assault and some serious antics: singing, screaming, moshing, telling jokes, tearing their clothes off, bashing their heads on tables and then bleeding on the audience, making the most of thrift store bins for crazy costumes, and, bizarrely, almost always wearing funny hats. Breakcore artists are some of the most thoughtful, inventive, and politically progressive people making music today, but on stage they are a bunch of fucking loons.
Oh yes. It also gives a good profile of my mate and co-labo8tor Parasite;
Parasite
It’s hard to believe that the royal ruckus known as Parasite is actually breakcore's hardest-working bloke. The affable bloodsucker (Armin Elsaesser to his mom) is best known for helming the consistently great Death$ucker label, which boases the scene’s best and most eclectic roster (with releases from Bong-Ra, knifehandchop, Monkey Steak, d’kat, and DJ Ripley). He’s also the head honcho of DSWAT distro, one of the most active online mailorder stores, and a driving force behind the Toxic Dancehall parties in his hometown of Bristol, England. A testament to breakcore’s increasing popularity, these raucous affairs grew from 30 people in the basement of an Indian restaurant to crowds over a thousand strong at the Black Swan in just three years.
Toxic Dancehall is now defunct, but Parasite and his partner Anakissed are starting a new party called The Goat Lab. "The name was directly inspired by the U.S. military’s research into psychological warfare using de-bleated goats as a test bed," says Elsaesser, who, like many in the scene, has a strong political streak. "Breakcore, by its very nature, is political!" he says. "The very fact that the majority of breakcore tunes are a copyright infringement [case] waiting to happen is proof of this. Also, political opinions can be heard in a wealth of breakcore tunes today. Look at artists like Aaron Spectre, Noize Punishment, and The Bug, to name a few–all have a political message to convey. Certainly in Bristol whenever an anti-Blair/Bush sample gets dropped, the reaction from the audience is generally positive, with shouts of acknowledgment. Personally, I try to remain active in a political sense in that I regularly play benefit gigs, support political causes, and attend political rallies, [and] I also sell political material [through DSWAT]."
On the subject, I have heard an early version of Parasite's Big Joan remix - owch! its good. Very good and its going to rock the clock...
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